Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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unknow artist
Ulita la Curtea de Arges,

ID: 77490

unknow artist Ulita la Curtea de Arges,
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unknow artist Ulita la Curtea de Arges,


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unknow artist

  Related Paintings of unknow artist :. | Eland,storst among antiloper,stoisk,oxlikt massive | De Alchemist | Young Roman water carrier | Il gioco della cagnetta | Wall painting from the Palace of Amenhote III |
Related Artists:
Gherardo Starnina
Italian Gothic Era Painter, ca.1360-1413 was a Florentine painter of the early Quattrocento. According to the biographer Giorgio Vasari, Starnina initially trained with Antonio Veneziano, then with Agnolo Gaddi. He is claimed to have participated in the painting of the frescos in the Castellani Chapel in Santa Croce, Florence. He is also said to have moved to Spain in 1380 to work under Juan I of Castile, and is attributed some painting in the San Blas chapel of the Cathedral of Toledo. Several paintings formerly attributed to the Master of the Bambino Vispo are now attributed to Gherardo Starnina,
BARRA, Didier
French painter (b. 1590, Metz, d. 1644, Napoli French painter, active in Italy. He was for a long time confused with FRAN?OIS DE NOM?, and the work of both artists was thought to be by a Mons? Desiderio, a 'highly praised painter of perspectives and city scenes' (de Dominici). It is now generally accepted that Mons? Desiderio was the pseudonym of Didier Barra (1982 exh. cat.), son of Cl?ment Barra. Didier Barra left Metz probably c. 1608, when his name appeared for the last time in the city archives. From c. 1630 he was active in Naples, where he came into contact with landscape and townscape painters from northern Europe. De Dominici wrote that he was associated with Belisario Corenzio. The point of departure in reconstructing Barra's oeuvre is the Panoramic View of Naples (Naples, Mus. N. S Martino), which is signed and dated Desiderius Barra ex civitate Methensi in Lotharingia, F. 1647. The picture is a precise and panoramic view of Naples from the sea, from a single viewpoint, enriched by lively brushwork and with spirited scenes of shipping in the foreground. Its topographical precision suggests that Barra was influenced by the engravings of large views of Naples made by Alessandro Baratta ( fl 1629-30), and he may himself have trained as a cartographer. On the basis of this picture, several views of Naples have been attributed to Barra.
Giovanni Toscani
Italian Painter, ca.1370-1430






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